Mumbo Jumbo
MUMBO JUMBO
by Ishmael Reed
Nomination: National Book Finalist 1973
Date Read: December 28, 2020
The one comment everyone seems to agree on with Mumbo Jumbo is that this book is challenging. I couldn’t agree more. While I pride myself on being a relatively intelligent human being, the ideas and concepts put forth here were difficult to identify with. I don’t believe this stemmed from any racial disparity but that Reed is operating on a completely different level.
I appreciated that at the beginning the definition of Mumbo Jumbo was provided as a “Magician who makes the troubled spirits of ancestors go away.” The premise seems simple until it spins off in every direction: Jes Grew (as in the spirit Jes Grew and grew) is spreading like wildfire across the globe, a pandemic of dancing and general revelry that some consider a plague, but others deem it the anti-plague. Of course, black artists or “Jes Grew Carriers” are the main culprits.
From here, Reed spins out into historical, political and social threads, using actual historical events, as well as fictional events to weave this narrative. He delves into the U.S.’s occupation of Haiti, white suppression of jazz music, Black adoption of Islam, the looting of Egyptian artifacts and even delving into an alternate interpretation of the Bible. And Mumbo Jumbo is only 228 pages.
So I am sitting here and all I can think is – Damn! Reed is currently 82 and still alive and someone should give him a foot rub. If only Jes Grew were the pandemic we were suffering from now, we would all be having a lot more fun.
Comments
Post a Comment