The Haunting Of Hill House
THE HAUNTING OF HILL HOUSE
by Shirley Jackson
Nomination: National Book Finalist 1960
Date Read: August 7, 2019
For a classic thriller, I was duly impressed. From the first imposing images of the house to Mrs. Dudley's less than warm welcome, readers already have a chilling foreshadowing of what's to come.
Eleanor, a key character, is perfectly drawn as a person without a place, driving with all her belongings in her "borrowed" car. As she imagines all these different futures for herself, the possibilities seem endless as she tries on different futures - something I often do on road trips, although I am very happily settled. Once Eleanor and Theodora were settled in their rooms, I was horrified that, as guests of the house and of the doctor, they would nonchalantly wheel a vase over to prop the front door open. Ever hear of manners, ladies?
Eleanor's internal dialog is so very strange, constantly doubting herself and other's perceptions of her. Of course, this internal dialog only worsens as the house begins to take hold of her mind, making her paranoid and antisocial. And as a foursome joined together against mysterious forces, Eleanor should become further enmeshed in the group as the "us vs. them" mentality takes hold, yet she further and further alienates herself from the group instead of drawing closer. Until, of course, she is finally asked to leave, having gone completely cuckoo.
What I found odd and not much attention was paid by the others, but Mrs. Dudley, an automaton, actually comes out of her shell briefly during her interactions with the horrible Mrs. Montague. They bond over dishes and the young adult's interactions in the house. Perhaps yet another quirk of the house?
by Shirley Jackson
Nomination: National Book Finalist 1960
Date Read: August 7, 2019
For a classic thriller, I was duly impressed. From the first imposing images of the house to Mrs. Dudley's less than warm welcome, readers already have a chilling foreshadowing of what's to come.
Eleanor, a key character, is perfectly drawn as a person without a place, driving with all her belongings in her "borrowed" car. As she imagines all these different futures for herself, the possibilities seem endless as she tries on different futures - something I often do on road trips, although I am very happily settled. Once Eleanor and Theodora were settled in their rooms, I was horrified that, as guests of the house and of the doctor, they would nonchalantly wheel a vase over to prop the front door open. Ever hear of manners, ladies?
Eleanor's internal dialog is so very strange, constantly doubting herself and other's perceptions of her. Of course, this internal dialog only worsens as the house begins to take hold of her mind, making her paranoid and antisocial. And as a foursome joined together against mysterious forces, Eleanor should become further enmeshed in the group as the "us vs. them" mentality takes hold, yet she further and further alienates herself from the group instead of drawing closer. Until, of course, she is finally asked to leave, having gone completely cuckoo.
What I found odd and not much attention was paid by the others, but Mrs. Dudley, an automaton, actually comes out of her shell briefly during her interactions with the horrible Mrs. Montague. They bond over dishes and the young adult's interactions in the house. Perhaps yet another quirk of the house?
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